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3D still has notable opponents – among them the critic Mark Kermode, and Christopher (Dark Knight) Nolan, who has pointed out that in addition to movement of camera and people and objects through space, traditional 2D cinema is full of 3D cues: the occlusion of one object by another, differences in resolution, image size etc. But a recent symposium at Birkbeck, University of London entitled “3D: Yesterday and Today” opened up some fascinating perspectives, both into the 19th-century past of stereoscopy and into its 21st-century present and future.